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‘Feel Africa’ As AFRIMA Unveils Exciting Events for 2019
November 6, 2019 | 0 Comments

By Bakary Ceesay

All road leads to Lagos State, Nigeria as music lovers, cultural enthusiast and African stars in Africa and Diaspora gear up towards the upcoming 6th edition of the All Africa Music Awards, AFRIMA, the continent’s biggest music event with the theme ‘Feel Africa’ is set to hold from November 20 to November 23, 2019.

The awards show will feature four days of thrilling and innovative programme of activities set to cater to a wide range of audiences from entertainment to music business to tourism and destination marketing.

Kicking off the 6th AFRIMA events is the AFRIMA Welcome Soiree on Wednesday, November 20 at the poolside of Eko Hotels & Suites, Victoria Island, Lagos from 6:00pm; a reception in honour of arriving AFRIMA nominees and delegates, African Union officials, members of the International Committee of AFRIMA, international and local media as well as other invited guests.

As part of its Social Responsibility Initiative, AFRIMA will visit a primary school situated in Lagos state on Thursday, November 21 to sustain the drive begun by the International Committee of AFRIMA in Gambia in 2015 to raise consciousness for the African child’s education and literacy on the continent. 

AFRIMA will be donating educational materials and musical instruments to a selected public school in Lagos. The visit also creates opportunities for motivational conversations between the pupils and the delegation consisting of various African music super stars, Nigerian government officials, African Union officials, AFRIMA executives, and many other invited guests.

Setting the stage for the entertainment value the awards brings with each edition, is the AFRIMA Music Village with a change in venue to the Agege stadium, Agege Lagos, slated for Thursday, November 21.

The AFRIMA Music Village is a 12-hour concert-style music festival which starts at 6.00p.m. with live performances from A-list and upcoming artistes including AFRIMA nominees, as well as past AFRIMA winners. This is will be opened to devoted music lovers and promises to be an evening of high euphoria and invigorating energy.

This year, the African Union, AU and International Committee of AFRIMA have decided to take the music village to the community where the people reside. For gate entry to the music concert, get a branded AFRIMA T-shirt at just N2,000 = (USD5.5) on the AFRIMA website www.afrima.org or at the concert venue. Event will be broadcast live on DSTV channel 198, GOTV channel 29, Africa Independent Television (AIT), Raypower FM Network, Kennis FM, Silverbird Television (STV), HIP TV, amongst over 84 stations across the world.

Following on Friday, November 22 at the Grand Ballroom, Eko Hotels and Suites, Victoria Island, Lagos, is the Africa Music Business Summit (AMBS) an annual summit of networking and interaction among music professionals, music executives, government officials and other stakeholders in the music, media and financial sectors of Africa. It sets an atmosphere for discussions on the potentials present in the African music industry and ways to harness its socio-economic gains. Attendance registration for AMBS is now open on the AFRIMA website, www.afrima.org

Later in the evening of Friday, the 6th AFRIMA Nominees party will hold. Tagged ‘Fire and Ice’, the exclusive party for this year’s nominees has a few surprises in store for the guests and it promises to be a night of extreme fun and social interactions.

Saturday, November 23 ushers in the main awards event at Eko Convention Centre, Eko Hotels & Suites, Victoria Island, Lagos, which commences at 4.00 p.m. with the live Red Carpet where African music stars and other invited guests display their glamour and impeccable African fashion sense for the audience watching around the world while being interviewed by the 6th AFRIMA celebrity red carpet hosts. The live broadcast main awards ceremony following at 7.30 p.m. is conceptualised to celebrate African creativity and culture in all its splendour as well as reward African artistes who emerge winners in the 36 AFRIMA continental and regional categories ranging from the classic, contemporary to traditional genres of music. The awards ceremony programme will also specially recognise and honour African music veterans with the 2019 AFRIMA Legend Award.

Sharing her excitement, Associate Producer, AFRIMA, Adenrele Niyi said “we are excited about this year’s AFRIMA events as these are interesting times for African music and creatives. The entire music world is looking forward to November 20 to 23 in Lagos, Nigeria. I especially look forward to the Music Summit, where every attendee gets to part with some new knowledge of the African Music Industry. And we still reminisce on the high energy from the last Music Village experience in Ghana, with over 60,000 people packed in the Independence Square, Accra, the largest arena in Ghana. Lagos will surely leave us spellbound.”

 Also expressing huge expectations for the 2019 events, International Advisor to AFRIMA, Rikki Stein said, “AFRIMA has never disappointed my expectations, and I know that this year will reflect even more Africanness, as the theme for 2019 goes ‘Feel Africa’ the unique and beautiful essence of African music and culture will be portrayed to its fullest during the events”.

The British music executive has explored many parts of the African continent in his over 50 years career in the music industry. “Culture is a living, breathing ever-evolving entity. I’m amongst those who consider that Africa has a tremendous contribution to make in the world. Nowhere is this clearer than through its cultural manifestations, evidenced by the burgeoning global interest in its art, fashion, literature and, particularly, music.”, he added.

The premium 6th AFRIMA events will be star-studded with attendance from award-winning recording artistes, African celebrities, music professionals, creative/cultural industry experts, media practitioners, and public officials amongst others.

 The events will be broadcast live on DSTV channel 198, GOTV channel 29, Africa Independent Television (AIT), Raypower FM Network, Kennis FM, Silverbird Television (STV), HIP TV, amongst over 84 stations across the world and fans of African music globally can also catch the frenzy via the AFRIMA social media handles, live stream on the AFRIMA website, and the AFRIMA App. 

In partnership with the African Union Commission, AFRIMA is committed to the stimulation of conversations among Africans and between Africa and the rest of the world about the potentials of the cultural and creative economy for real enterprise on the continent, contributing significantly to social cohesion and continental integration as well as sustainable economic growth and development in Africa by lending its voice to promotion of education and campaign against extreme poverty and preventable diseases.

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Global Music Actors to Converge in Ghana
November 6, 2019 | 0 Comments

By Bakary Ceesay

Music industry professionals from more than 50 countries are set to travel to Accra, Ghana, for the much-awaited Music In Africa Conference for Collaborations, Exchange and Showcases (ACCES), taking place on 28, 29 and 30 November 2019.

Now in its third edition, ACCES is the leading pan-African music business event organised by the Music In Africa Foundation in a different African city every year. This year’s robust programme features an exciting roster of musicians and industry experts from all corners of the globe.

Global superstar Akon is one of the leading speakers at this year’s event. The five-time Grammy nominee joins a star-studded line-up that includes top Ghanaian musicians and experts such as SarkodieEfyaSaminiKyekyekuJohn Collins, Ebo Taylor, Bibie Brew and Wanlov the Kubolor.

Other high-profile speakers and facilitators at ACCES 2019 will be Chocolate City vice-president Aibee Abidoye (Nigeria), Ditto Music founder and CEO Lee Parsons (UK), Airforce1 Records managing director Joe Chialo (Germany), Gallo Music Group general manager Rob Cowling (South Africa), Boulevard Festival co-director Hicham Bahou (Morocco), TRUE Africa founder and editor-in-chief Claude Grunitzky (Togo/UK), Simfy OTT music services head Oye Akideinde (Nigeria), Boomplay Ghana manager Elizabeth Ntiamoah (Ghana), Nyege Nyege Festival co-founder Derek Debru (Belgium/Uganda) and Grammy-nominated musician, author and rights activist Mark Levine (US), among many others.

ACCES offers delegates a wide variety of activities, including carefully curated panel discussions, exhibitions, networking and pitching sessions, production workshops and showcases (live performances) by musical acts from Africa and the diaspora. ACCES 2019 will be spread across three venues, namely the Ghana Academy of Arts and Sciences (for the conference programme), Alliance Française (for evening live performances on 28 and 30 November) and the Gold Coast Hub (for performances on 29 November).

 Showcases

ACCES 2019 will feature an eclectic and bold line-up of showcasing artists. Confirmed artists are Mokoomba (Zimbabwe), Songhoy Blues (Mali), Gato Preto (Mozambique and Ghana but based in Germany), Arka’n (Togo), Sibusile Xaba (South Africa), Ifrikya Spirit (Algeria), Lúcia de Carvalho (Angola but based in France), and Bholoja (eSwatini), as well as locals Yaa YaaKyekyeku & Ghanalogue HighlifeFOKN BoisCina Soul and FRA!

Gato Preto, Songhoy Blues and Lúcia de Carvalho will perform at ACCES 2019 courtesy of ACCES’ reciprocal partnership with Reeperbahn Festival International – one of the most important meeting places for the music industry worldwide and Europe’s largest club festival based in Hamburg, Germany.

Workshops

As with previous editions, ACCES will offer highly interactive workshops designed for musicians, producers, sound engineers, as well as film and videogame composers. The ACCES workshop programme reflects the conference’s vision to embolden music professionals with new knowledge and skills. The trade event will feature two distinct training workshops that will explore music production essentials, and music for film, facilitated by Kofi ‘IamBeatMenace’ Boachie and Stephan Eicke respectively.

Exhibitions 

ACCES 2019 will host a curated exhibition area where innovators and service providers in the music industry will get to present their products and ideas throughout the duration of the music conference. This year sees the introduction of the Exhibitor Hubs, an innovative, tech-oriented space where companies and organisations will present their new products and services.

ACCES will also programme a number of Pitch Sessions, which are ideal opportunities that startups can use to present their ideas to an audience of potential partners, collaborators, clients and funders. Pitchers get 10 minutes to present their concepts, answer questions and get feedback from the audience members, many of whom will be industry leaders on the lookout for the next big idea.

Honouring Ghanaian music legends

ACCES 2019 will kick off on 28 November with the Music In Africa Honorary Award ceremony where Ghanaian legends Ebo Taylor and Bibie Brew will be awarded for their outstanding contribution to their home country’s music industry and that of Africa as a whole. They will join previous award recipients Baaba Maal (2017) and Eric Wainaina (2018).

About ACCES

ACCES is a pan-African trade event for music industry players to exchange ideas, discover new talent and create business linkages. ACCES is held in a different African city every year, attracting active music industry players from across the globe.

ACCES is organised by the Music In Africa Foundation, a non-profit and pan-African organisation, in partnership and with the support of Siemens Stiftung,  Goethe-Institut, Reeperbahn Festival International, Alliance Française, BMG, MediaSound Hamburg, the Multimedia Group, Africa Art Lines, Afrikayna, the Gold Coast Hub, the Year of Return, the Prince Claus Fund and the ANT Mobility Grant from Pro Helvetia Johannesburg, financed by the Swiss Agency for Development and Cooperation (SDC).

This year ACCES has a partnership with Reeperbahn Festival. The partnership creates a framework for the festival to collaborate with ACCES in facilitating sustainable business engagements and exchange between European and African music businesses and professionals, as well as the provision of performance opportunities to musicians in both territories.

BMG is the new model music company founded in 2008 as a response to the challenges of the digital revolution in the music industry. As part of its unique approach, BMG represents the traditionally separate music publishing and recording rights off the same platform internationally. The company is the world’s fourth biggest music publisher and one of the first new global players in the recordings business. BMG has 15 offices across 12 core music markets, representing over 3 million songs and recordings, including the catalogues of global stars such as Chrysalis, Bug, Virgin, Mute, Sanctuary, Primary Wave and Talpa Music, as well as thousands of artists and songwriters.

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AFRICAN UNION TO HOST 6TH ALL AFRICA MUSIC AWARDS IN NIGERIA
October 2, 2019 | 0 Comments

By Bakary Ceesay

Picture Credit Afrima

The African Union Commission (AUC) and the International Committee of AFRIMA have announced that the 6th edition of the All Africa Music Awards themed ‘Feel Africa’ will be hosted in Lagos State, Nigeria from November 20 to November 23, 2019 in association with the Federal Ministry of Information and Culture, Nigeria.

In partnership with the African Union, AFRIMA is a youth-focused music property that celebrates Africa, recognizes and rewards the work and talents of a myriad of African artists across generations.

AFRIMA is committed to the stimulation of conversations among Africans and between Africa and the rest of the world about the potentials of the cultural and creative economy for real enterprise on the continent, contributing significantly to social cohesion and continental integration as well as sustainable economic growth and development in Africa by lending its voice to promotion of education and campaign against extreme poverty and preventable diseases.

‘Feel Africa’, is an initiative aimed at showcasing the African essence through its music and culture and inviting everyone to share in the experience of African unity, African passion and African creativity.

The theme takes inspiration from AFRIMA’s mission to change negative perspectives of Africa by promoting the cultural uniqueness of Africa as a means to counter issues hindering the unity, peaceful co-existence and economic growth of the continent.

Lagos State, rated as the largest music, entertainment and commercial hub in Western Africa and also renowned for its bubbly and hip lifestyle has hosted previous editions of AFRIMA from 2014 to 2017 with the support of the Federal Ministry of Information and Culture, Nigeria.

 The support of the Government of Lagos State as AFRIMA Official Host City in 2016 and 2017 also fostered the smooth execution of the various AFRIMA events and facilitated the seamless engagement of corporate sponsorship/partnership at various facets of event planning and execution.

In her statement, Head of Culture, African Union Commission, Angela Martins says, “Nigeria playing host to the 6th AFRIMA is indicative of the beneficial relationship the country has developed with the AU & AFRIMA as we use this continental awards platform to strengthen Africa’s culture industries while also promoting the cultural identity and integration of Africans.

We are also appreciative of Lagos State Government for hosting 4 previous successful editions of the annual awards programs of events. We are confident that hosting AFRIMA in Lagos state, Nigeria will in no small measure constitute significant achievements for the promotion of African Union’s cultural objectives through the AFRIMA platform”

Meanwhile, fans, followers and lovers of African music artistes have started visiting the AFRIMA online voting platform Error! Hyperlink reference not valid. that opened on Sunday, September 1 to cast votes for their favorite 6th AFRIMA Nominees.

This voting process, which closes on November 22, will determine eventual winners in the 36 AFRIMA awards categories to be recognized at the main awards ceremony scheduled to hold on Saturday, November 23.

 Also expressing high anticipation for the 6th awards ceremony, Associate Producer, AFRIMA, Adenrele Niyi comments, “The 6th AFRIMA finds home in Nigeria for the 2019 awards ceremony and we could not be more excited for this edition.

 We are coming out of a super successful 2018 edition in Ghana -the 5th AFRIMA was a milestone year for us. These are interesting times for African music as more of our creatives are defying the imaginary limitations of cultural diversity to collaborate and create magical music. Many of these works would be showcased at the awards events such as the AFRIMA Music Village concert and the Main Awards Ceremony.

Needless to say, the accomplishments of African music are far-reaching beyond the continent and we intend to create a 6th AFRIMA showpiece inspired by Afro-modernism. it is shaping up to be the best event Africa has ever seen”, Niyi added.

The 6th edition of AFRIMA will continue in the tradition of a four-day fiesta of music, glamour, Afrocentricism, and entertainment which will be experienced in the city of Lagos.

Commencing with the Welcome Soiree on Wednesday, November 20, followed by AFRIMA Music Village on Thursday, November 21 by 6.00 p.m. prompt; Africa Music Business Summit on Friday, November 22 from 8.30 a.m. to 4.30 p.m.; and the live AFRIMA main awards on Saturday, November 23 at 7.30 p.m. preceded by the live Red Carpet at 4.30 p.m.

The AFRIMA Music Village, Red carpet, and main awards events will be broadcast live to over 84 countries around the world including live streaming on the AFRIMA website and other online partner platforms.

All Africa Music Awards is the biggest music event on the continent. It offers benefits that would help in raising the continental and international profile of the host city, including an opportunity to tap into the millions of participants and followers of the growing African music.

 AFRIMA

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Gambia to Host Drama Fest-Gambia 2019
September 13, 2019 | 0 Comments

By Bakary Ceesay

Drama Fest 2019

Drama Fest 2019

Gambia is expected to host maiden edition of Drama Fest-Gambia 2019 on 25-26 October, 2019 at Ebunjan Theatre in Kanifing.

Organised by Stage and Screen Entertainment Africa is a premium Entertainment Art network that seeks to nurture, promote, develop and engage the vision of creative and performing art in Africa.

This was revealed during a press conference which attracts writers, playwrights, directors, actors at West Africa Insurance Institute on 7th September, 2019.

Milton Kamanda, coordinator of Stage and Screen Entertainment Africa The Gambia explained that the event will showcase an array of cultural diversity through drama, music, dance poetry and arts exhibition which will feature creative and literary work done by renowned playwrights and directors from the Gambia.

According to him, this year the festival will show case home grown talents from the different facets of art.

He added that: “Our goal is to use Art Edutainment as a means of sustainable livelihood for upcoming and established artist, artiste thereby showcasing the work of creativity, craft and art to the world”

Miss Monica Davies, Chairperson Drama Fest-Gambia said they want to empower the next generation of art through leadership training.

She pointed out that Drama Fest want to promote arts entrepreneurship in Africa, through training, mentorship and networking platforms, to appreciate and celebrate the diversity of African arts.

“Recognizing distinguished accomplished personalities in the arts fraternity in the Gambia and Africa at large. Promote arts as a positive tool for social and economic transformation in Africa. To use creative and performing arts to address the ills in our communities. Giving preferences to promote and support local talents. Engage relevant stakeholders in the arts industry within the region with the implementation of policies that benefits its people,” Davies a prominent actress in Gambia said.

She noted that the event will be in a form of trade fares, concerts and art exhibition as one of the medium to showcase African arts to the world, by encouraging government to create state funds to support arts in school and tertiary levels.

 

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Gambian Rapper Killer Ace, 6 youth receive 700,000 bail bonds
September 13, 2019 | 0 Comments

By Adama Makasuba

Killa Ace

Killa Ace

A High court has  granted bail to remanded Gambian rapper Killer Ace whose real name is Ali Cham and six youth asking each of the accused to pay a sum 100, 000 dalasi with two Gambian surety and their travelling documents.

Presiding over the case, vocation judge Basiru Mahoney said: “I am here by granting the seven accused persons a bail in the sum of 100,000 dalasi each. They should tender their travelling documents to the registrar of the high court and sureties of two Gambians each.”

He said despite the case is transferred to the high court; he added that the charges are not yet read in court.

Meanwhile, the accused persons were represented lawyer Antuman Gaye, Lamin S Camara, Saliu Taal, Kombeh Gaye and Patrick Gomez while the state was represented by A. Yusuf and Muhammed Sowe.

After applying for bail for the accused, Lawyer Antuman Gaye, also applied that one Muhammed Fadia’s name was not in the new list and applied that his name to be captured in the new list.

The  youth have been in remand at mile two prison for weeks after they were arrested for allegedly taking part in July 24 protest. Their case was last week transferred to the high court by Kanifing Magistrate court after it said it cannot hear the case of the youth. Thirty youth have been released.

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RedOne pays tribute to Africa with the new hit “WE LOVE AFRICA”
September 2, 2019 | 0 Comments
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Rachid Taha leaves us Je Suis Africain
August 21, 2019 | 0 Comments

Rachid TAHA, Paris, 2004

Rachid TAHA, Paris, 2004

A posthumous record? “Nothing to declare!” as Rachid would have said, leaning on the bar counter, with messy hair, bright eyes, and a raspy voice. He’s there, you can’t miss him. He may be laid to rest in Algeria, but he hasn’t left us. He knew that those who are allegedly missing are well and alive: “Do you really know the others?” the master of rock-Chaâbi once asked, quoting the greats Johnny Cash, Oum Kalthoum, and Andy Warhol in a prophetic song titled Andy Walhoo. He wrote this arabic-punk-electro piece with guitars, balafon, and mouth harp before succumbing to a heart attack on September 12, 2018. “I was there with you last night, you told me to come. Every week you tell me, I’m waiting for you in my slum, there’s a Picasso exhibition, go see him. What a bastard, he had a nice mirror, I saw Jean Cocteau kissing Jean Marais,” he sings, ending with a big laugh. So nobody is gone, they live on in us.

With boundless energy, Taha wrote eleven songs together with Toma Feterman for his eleventh solo album, diving deep into his roots as usual. First, Algerian Chaâbi, so subtle, yet so complex. Then rock, which took the world by storm during the postwar period, and punk, its offshoot, in the style of The Clash. Finally, electronica, the musical revolution of the late twentieth century, as hypnotic as the Gnawas guembris or Sufi trance sounds. Rachid was influenced by all of it.

Youyous, flutes, women’s choirs, metal riffs: the French-Algerian, however weakened by the paralyzing effects of Chiari malformation, which he suffered from, created whirlpools, deluges, torrents. He invited us to dance with Andy Walhoo, and also with Like a Dervish, his “first song in English, I know I’m cheating, my English is not so rich.” His plays on words were irresistible: English, backich, dervish, merlich… The troublemaker of the “alternative Koran” also used to speak francarabe, a mix of French and Arabic, which he used to both celebrate and mock the Jewish masters (Lili Boniche, Reinette l’Oranaise, Line Monty…), humming their oriental boleros, such as Chérie je t’aimechérie je t’adore and Bambino.

That’s why his new record, which he had been working on for two years before he was buried in the Sidi Benziane cemetery, had to be in mandoline-embellished French. One of the songs is called Minouche: “Minouche ma minouche, pourquoi tu te fâches, ne prends pas la mouche, ma jolie peau de vache… Minouche, donne-moi ta bouche” (Minouche, my little Minouche, why are you upset, don’t get into a huff, my pretty vixen… Minouche, let me kiss you). A popular dance tune for sure, with words sculpted by Jean Fauque, who worked closely with Bashung and Erwan Séguillon.

The rough voice and wild blend of styles don’t give an accurate description of this son of immigrants (born near Oran, Algeria, he was raised in eastern France and later settled down in Lyon). Rachid the rebel built bridges, “introducing beautiful people to the world” by singing Charles Trenet’s Douce France with his first band, Carte de séjour (French for “resident permit”), in 1986 to mock French integration while the Marche des Beurs (March of the French Arabs) was being broken up and François Mitterrand was celebrating the creation of SOS-Racisme (a movement of anti-racist NGOs founded in France in 1984). In 1998, he created a transgenerational hit with the album Diwân, which included a cover of Ya Rayah, the anthem of Algerian immigrants composed by the Chaâbi idol Dahmane El-Harrachi (1925-1980).

Throughout these years of experience—which also marked the rise of Oranian Rai music, which Rachid sang the traditional way, following in the footsteps of the great Cheikha Rimitti—he worked with Steve Hillage, whom he met in 1984. The former Gong guitarist was a lover of looped electronic rhythms, and starting in 1997, he infused his energy into the creation of Voilà, voilà, an anti–Front National, anti-xenophobic song that Rachid would never stop singing.

And ever since this sensory overload, Rachid continued to speak to us, and jostle us, in Arabic, French, Franglish, and even Spanish, through the limpid voice of the young Flèche Love (Amina Cadelli, born in Geneva of an Algerian mother), whom he discovered on YouTube after finally being introduced to the digital tablet. This extraordinary tattooed and esoteric artist accompanied him on Wahdi, a song with Gnawa rhythms, to which he added a Mexican trumpet, evoking Ennio Morricone.

The album was produced and co-written by Toma Feterman, a gifted multi-instrumentalist and founder of La Caravane Passe, a band that mixes rap, gypsy jazz, Balkan fanfare, alternative rock, and electro.

Toma and Rachid hung out at the same bars and clubs in the north of Paris (Bellevilloise, Cabaret Sauvage), following their friend Remy Kolpa Kopoul of Radio Nova (a French radio station created in 1981, which played non-mainstream and underground artists of various musical genres), whose death in 2015 left Rachid feeling orphaned.

Toma then asked him to sing Baba, a song that he had just written for Canis Carmina, his band’s next album. Over the course of one night, the two friends recorded a dozen tracks. “I used the recordings from this first session,” Toma said, “without needing to make him sing again, because there was nothing to change.” They improvised, and it was the beginning of a frenetic, productive adventure, of nights partying at Toma’s or Rachid’s, or spent in the studio. Hours of creation and surprises shared with his son Lyes, his friend Toufik, his mandolin player Hakim Hamadouche, and his former keyboard player Yves Fredj Aouizerate, who was also his last manager.

It was a club, a family, a community, a trip. The adventure even passed through studios in Bamako, because Rachid is African, having been born in Algeria, bordering Mali, the Mandingo musical empire. Je suis africain(I am African), the song that gives its name to the album, is an homage to the sounds of this great continent, that weaves together soukouss guitars, an Arab-Andalusian orchestra, Middle Eastern violins, balafon, and talking drums. “I am African, from Paris to Bamako, from New York to Congo”—the magnificent joker is having fun, playing with elegance. He takes the accent of a “fantastical” Africa and quotes Marley and Malcom X, Kateb Yacine, Franz Fanon, Patrice Lumumba, Angela Davis—all of them “African.”

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Universal Music Nigeria releases Jizzle’s Debut Album, ‘Finally’
August 17, 2019 | 0 Comments

By Bakary Ceesay

Jizzle

By: Bakary Ceesay
Jizzle

 Finally, Universal Music Nigeria releases Gambia’s afro pop artiste  Jizzle’s 1st album, Finally.  There have been many months of anticipation for the album, from the Biggest In The Game artist. 

 The album is made up of twelve tracks representing the sounds of Afro pop, Afrobeat, and Afrofuzion with elements of Hip Hop.

The lyrics are very catchy with a sing along type of vibrations with topics that all elements of his fans can identify with.  As a multi-talented artist, Jizzle has produced five songs on the album with the production from top Gambian producers Shyboy, Endy Official, and J Live Music. Machine Man Tim from the UK and J Masta from Sweden also make hot beats on the album.

Jizzle is dubbed as the artist in the Gambia that can take Gambian music to an international market and make it successfully on the mainstream platform.  “My main goal with my music is to take Gambian music to the next level.  Finally means the world to me and I put a lot of myself in it for the world to love and enjoy,” expresses Jizzle.

He features a number of West African Artists, Dip Doundou Guiss, Samba, Peuzzi, Bm Jaay, and Hakill from Senegal.  Shaydee represents Nigeria and Gee from The Gambia.  Jizzle is a very unique type of artist and his style is very different compared to a lot of artists. He is able to capture his audience through a variation of different languages from English to Mandinka, Fula, and Wolof.

 “I am very happy with the response that I have been getting from my first album, Finally.  I feel like the whole world loves this project. The outpour of love and support for my first album has been breathtaking. I am humbled by my fans and ask that continue to buy my music,” explains Jizzle in jubilation.

 Jizzle does not take for granted his natural musical ability and quality. He employs both exuberance and brainpower to pull off conscious, sweet songs viable in today’s pop-culture. Finally, is a testament to Jizzle’s love for music and natural star quality.

 He  is currently embarking on a three-week European Tour in Sweden, Italy, and Germany to promote Finally.  All of his shows will display his dynamic stage presence and performance. ALBUM DOWNLOAD LINK: https://umgafrica.lnk.to/finally

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ADM REMIX OF IDYL’S, ‘SATISFY ME’ OUT NOW
August 6, 2019 | 0 Comments

By Bakary Ceesay

 Off the success of the studio single, ‘Satisfy Me’ released March of this year, Nigerian RnB sensation, Idyl is back with a new project, ‘Satisfy Me the (A.D.M. Remix)’ Pack.

 A Collaboration between the ‘Better Lover’ crooner and music collective, Africa Dance Music (A.D.M), the three-track project is an energetic take on the already upbeat single. A.D.M. is Nigeria’s first dance music collective, focused on introducing the world to Africa’s many variants of dance music. The label was launched and founded by seasoned music producer and DJ, Timi “TMXO” Aladeloba in 2017.

 ‘Satisfy Me (A.D.M. remix pack)’ includes three remixes of the original track, featuring DJ’s Jamie Black, D3an, and Calix. This unusual genre is an African take on electronic dance music, and is quickly carving out a space for itself within the continent.

 The ‘Satisfy Me A.D.M. Remixes’ build on the existing feel-good sound and dancehall vibes heard on the original. This remix pack is bound to be the soundtrack to your summer and is sure to be on every DJ’s playlist.

 You can listen, stream and download Idyl’s ‘Satisfy Me ADM Remix’ Here https://umgafrica.lnk.to/SatisfyMeRemixes

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Introducing JULZA Senegalese Rap Musician
July 19, 2019 | 0 Comments

By Bakary Ceesay

Thiaroye, one of the popular districts of Dakar, its history, very peculiar to others because of two facts: The first one reminds us of the tragedy of the massacre of our valiant soldiers in 1944 at the Thiaroye military camp.

What has made this district remains in the political history of Senegal, and the second marks the history of young people who try to take the canoe to immigrate to Europe to help their parents.

It is in this legendary district that the young artist Julza grew up. founding member of the Rap Fippu Clan group which means “Rebeler”, this young man has the mission to denounce the evils of the society but especially to contribute to the socio-cultural development of the country particularly Thiaroye,

After a few years spent in hip hop, the artist has imposed his style at the front of the Senegalese rap music scene. Thanks to this style, Julza has become one of the best of his generation, which has enabled him today to speak the word of the voiceless of his hometown Thiaroye

Thus, the artist has just released his first opus entitled “Obi” featuring with the great diva Penda GUISSE.a mixture of two different styles “Rap and Tassou” or the artist boasts of his person and his origin Al Pulaar.

 

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Gambia’s Afro-Pop Awards Winning Artiste to Release Debut Album, Set for European Tour
July 19, 2019 | 0 Comments

By Bakary Ceesay

 Jizzle, award winning an Afro-Pop sensational artiste has announced that he will release his debut album called ‘Finally’ on 9th August, 2019 at The Chop Shop Restaurant at Kairaba Avenue.

He is expected to embark on a European tour in Sweden, German and Italy and he will finally return to launch the album at the independence stadium on 23rd November, 2019.

Jizzle, who won Collobo of the year, People’s Choice Award, Afro Fusion of the year, album of the year and song of the year during Wah Sa Halat Awards recently.

Jizzle, told Pan African Visions that: “As my debut album, #finally is going to be released on Friday, August 9th 2019 worldwide on all Digital Platforms by @umgnigeria and also on physical copies (USB flash drives)”

Jizzle, also brand Ambassador of one of the leading GSM Operator in Gambia Africell added that: “I will be hosting a Meet & Greet and Signing with my Fans on the same Day Come through and buy a copy of the album for D250 and get 25% off on all Foods from Chop Shop on that day!”

Born in Bakau in The Gambia in 1989, Jerreh Jallow, popularly called Jizzle D Lyrical Kiddo is a dancehall and rap artist. He began singing at the age of 17 in 2009 after completing Grade 9 at Ndows. He majors in rap but occasionally sings dancehall. He sings in three West African languages namely Fula, Mandingo and Wolof.

In 2010, he released his first single called ‘Over Sona’. The song highlights the plights of young people neglected by the adult world. ‘Over Sona’ is an exaggerated expression of despair common among Gambian young people.

In 2011, he dropped a second single called ‘Life Is Not Easy’. He sings are about war, poverty, young people and many other social ills.

In 2014, he released a 14-track debut mixtape titled ‘Food Is Ready’. Some of the popular songs on the album are ‘Rumpa’, ‘Mi Deh Pan Mi Side’, ‘Together We Make It’, ‘Let Stand Up and ‘Fight For Our Right’ and ‘Man of The Year.

In 2015, he won the Best Upcoming Artist of the Year 2014 category at the Gambian Entertainment Awards.

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Gambia’s Afro-Reggae Singer Bala Rank Set for Debut European Tour
July 15, 2019 | 0 Comments

By Bakary Ceesay

 Bala Ranks, one of Gambia’s finest Afro-reggae artiste has arrived in Germany ready for the first time European tour on 19th July, 2019 at Hamburg City. To be back by DJ King Buntallo during the tour.

 The Resistant European tour is organised by his label Mansa Jali Movement StandTall Promotions, where he will have shows in Germany, Italy, and Austria. Balla, also known as the Evil Hunter will record his next afro manding reggae album.

 On Monday, Bala said that: “Giving thanks to the Almighty Allah for the blessing, I arrived safely in Germany. The tour is on! Looking forward to see you all in my coming events. More love and blessings to all”

 Bala ranks is well known as Gambian afro Manding reggae artist he is pushing his music to the higher level by working with international producers and promoters around the world.

 Marshal Telisman, Bala Ranks manager urged all Gambians to do their bookings and come in their large numbers to supports Gambian music.

 “We want to reach out to wider audience and collaborate with different music guru around Europe by spreading positivity and entertain the people through the language of music,” Marshal Glasgow based Gambian promoter said.

 About Bala Ranks

Born on 26 July 1980, Musa Kuyateh, popularly known as Bala Ranks is a Gambian Afro- reggae artist born in a family of griots. His family has a number of singers and players of music instruments such as kora, balafong and some African instruments. His father was a renowned kora player and his mother was a singer.

At the age of 11, he began to learn how to play kora, but his father encouraged him to start learning religion at a local Arabic school. After completing his studies, he taught himself how to play kora because his father was too old to teach him anything.

In 2002, he moved Banjul and opened a carpentry workshop with his brothers. In 2005, he released two singles entitled ‘Am Not a Full’ and ‘Work Hard’. The songs were a hit and his fan base grew.

In 2006, he released two more singles titled ‘Allah Muta’, ‘Voice of The Children’ and two video clips namely ‘Am Not a Full’ and ‘Allah Muta’.

In 2008, he was part of the 30 young Gambian artists who were selected in a music competition called Gamcel Chart Busters. He was the first runner-up of the competition.

In 2009, he released two hits tracks called ‘Amako’ and ‘Badinyaa’. The songs were a national success and earned him a house hold name in the country’s music industry. In 2011, he released his debut album titled ‘E-Mira’.

The project features nine tracks such as ‘Allah Muta’, ‘Amakoyi’, ‘Badinyaa’, ‘Kafunyo’, ‘Kanay Dankong’ among others. In 2014, he released a second ten track album titled ‘My Home Land’.

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