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Reading: Janet Rogan on Amplifying Africa’s Narrative: Insights from the Royal African Society
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Janet Rogan on Amplifying Africa’s Narrative: Insights from the Royal African Society

Last updated: October 26, 2024 5:26 pm
Pan African Visions
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Janet Rogan, CEO and Director of the Royal African Society (RAS)
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By Adonis Byemelwa

Janet Rogan, CEO and Director of the Royal African Society (RAS)

In an insightful Q&A with PAV, Janet Rogan, CEO and Director of the Royal African Society (RAS), shares the organization’s vision of amplifying Africa’s cultural, business, and political influence. With a legacy spanning 123 years, RAS is committed to enhancing the understanding of Africa in the UK and promoting engagement across various sectors, providing a platform for dialogue and collaboration between the UK and African countries.

Can you tell us more about the mission of the Royal African Society (RAS) and how it seeks to amplify Africa’s influence in culture, business, and politics?
The Royal African Society is dedicated to improving the understanding of Africa in the UK and beyond, fostering engagement across all sectors. Our convening power allows us to influence a diverse audience, from government officials to grassroots communities. We engage with decision-makers in the UK and create connections with counterparts in Africa, showcasing the continent’s extraordinary talent and creativity. Additionally, the vibrant African diaspora in the UK serves as a unique bridge for collaboration, growth, and job creation.

Film Africa has grown into Europe’s largest celebration of African cinema. How does this festival contribute to expanding the global reach of African stories and filmmakers?
We take immense pride in Film Africa’s growth; this year marks its 11th edition, themed around the transformative power of narrative. The festival features a range of films addressing universal themes, from gender and climate to love and social discovery. For the first time, audiences can access these films online via the BFI Player and AcceleratePlus, further broadening their reach.

What are some of the key milestones and achievements that the Royal African Society has seen through its cultural initiatives, particularly with Film Africa?
Film Africa has consistently expanded, tackling significant themes relevant to all. This year, we’re excited to present restored classic francophone films, alongside over 70 new films from African and African heritage filmmakers. Our focus on storytelling brings to life issues like gender inequality, climate impact, and human security. The festival culminates in a special conversation between renowned filmmakers Sir John Akomfrah and Abderrahmane Sissako, highlighting the vital narratives of Africa.

In what ways does the Royal African Society Benefit Gala aim to support African development and cultural initiatives, and how does it foster collaboration across different sectors?
London serves as a global hub for investment and culture, and our diverse diaspora provides a robust platform to showcase Africa’s potential. The upcoming Benefit Gala at the Royal Institute of British Architects reflects a commitment to sustainability and resilience, particularly in the face of climate change. This event is a testament to our mission of fostering cross-continental relationships and opening opportunities for collaboration.

Africa’s creative industries are rich with potential. How do you see events like Film Africa and the Benefit Gala driving economic activity and investment in these industries?
Generating business begins with highlighting opportunities. Through events like Film Africa and the Benefit Gala, we not only showcase talent but also provide insights into the dynamics of the African film industry. By identifying barriers to investment and training needs, we aim to attract deeper engagement from investors, thus fostering economic growth in the sector.

What challenges do African filmmakers face when it comes to global visibility, and how does Film Africa help bridge those gaps?
Accessibility remains a significant challenge for African filmmakers. While streaming services are improving reach, distribution rights can limit exposure. Festivals like Film Africa are crucial in curating compelling collections of films, which not only attract audiences but also spark interest from investors. London’s status as an international creative hub makes such events essential for growth in Africa’s film industries.

Looking ahead, what are your hopes for the future of African cinema and the role RAS will continue to play in promoting Africa’s cultural narratives on the global stage?
I am optimistic about the exponential growth of African cinema in the coming years. The Royal African Society is committed to supporting this growth, recognizing its potential to create jobs, sustain lives, and transform societies. With digital technologies enabling youth participation, we should focus on a digitally-supported brain gain. Every culture has its stories, and through our initiatives, we aim to foster the sharing of these narratives, emphasizing their transformative power to bring us closer together.

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